Rango!

Saddle yer turkeys and hang yer opossums 'cause we're reviewin' Rango!

How are people liking the sketchy coloring?

Fair warning: I am completely biased because I LOVE Chameleons. Easily my favorite animal and I think they can never appear in too many movies.

Rango was a ton of fun and very funny. It's a must see for any animation aficionados with some wonderful character acting and amazing sequences. I don't think I would say it was a perfect movie or my favorite, but it was a damn good story with great characters.

The movie starts out as our nameless hero is putting on a show for himself with himself as the lead (with heart wrenching supporting roles from a wind up fish and a decapitated barbie doll). Just as he suddenly has an epiphany that he needs conflict in his life, he gets thrown out of his cage, out of the car his family was traveling in and onto the dusty road. He meets an armadillo that acts as a kind of spiritual guide to send him on his journey to Dirt, and it's at this new western town that he meets a whole cavalcade of characters and starts to re-imagine himself as the badass hero he wants to be known only as...Rango. He gets into trouble with outlaws, becomes the new lawman in town, and lucks his way into a whole slew of western adventures in an effort to find the town's water.

See, they don't use money here, they use water. It's this and so many other little touches that show they really created an intricate, living breathing world. All the characters are unique; they have interesting clothing, different accents, and lovable quirks! If you're into animation at all, this is one you NEED to see, it's just that beautiful in a ridiculously detailed kind of way. All the other reviews emphasize how "ugly" everything is, but being a character designer, and being someone who loves creepy animal designs(see brother rabbit) I couldn't get enough of the characters! For me they were the perfect animal-human hybrids and the designs were a real throwback to crazy stylistic 2d animation.

Johnny Depp does a stellar job as the blank slate protagonist. He's silly, dramatic, and just plain fun. All the other actors have unique voices and they easily get lost in their characters. The humor is quirky and silly with enough double entendres stuffed in there to be enjoyable by adults as well as kids.

The story is fairly predicable; "oh, [that character] can't be bad...oh no [that character] is actually bad! Who would have seen that coming," but it is an entertaining ride throughout. There are some fantastic sequences including shootouts, cavern diving, and an amazing chase with hillbillies on bats with a hillbillized version of The Ride of the Valkyries. And it had a weird but great cameo from a well known western character!For some reason I thought it got a little too ridiculous when plants started to move, completely glossing over the fact that animals can not only walk and talk but also have tiny clothes and guns.

I do have to say one of the things I didn't like and something I look forward to in movies was the end credits. It was somewhere between full rendering and stylized cartoon with choppy animation. It felt like it was trying to have classy 2D animation showing the process or early designs like a Pixar or disney movie, but they were too lazy to hire 2D animators and just did a crappy stop-motion using the actual models. Not that this is going to stop anyone from seeing it or take away from the overall score, it's just a personal disappointment in a movie like this.

All in all Rango is a great animated movie for kids and adults alike. A must-see for prospective animators, and a should-see for everyone else. Also, Chameleons.

Sketched Theatre: The Spidey Project!

I know this isn't a movie, but I just had to do a review of the amazing Spidey Project! It ran for only 2 shows on one night at the People's Improv Theatre, but it deserves all the glowing reviews it can get!

Tried something a little different for this post!

For those of you unaware of what the crap I'm talking about, there's been a backlash from the Julie Taymor Fiasco that is Spiderman: Turn off the Dark. Out of that backlash arose Justin Moran, interested in putting on a Spider-Man musical for zero dollars, in thirty days, with no injuries to staff(maybe someone got a paper-cut from the cardboard and the press is covering it up, who's to say), and open it one day before the 65 million dollar spiderjoke.

So what happened? They did it. With music, and actors, and two sold out shows(Oh and that other musical? Being pushed back for changes after losing their director). And what's more, it was amazing. It was spectacular! It was the ultimate spidey musical.

Ok, some would call it hokey and silly and ridiculous, but when you're making a musical about Spider-Man, those things should be expected. It wasn't just a musical, it was a theatrical experience. It was a show put on by fans, for fans. And the fans loved it. They laughed at every joke and cheered at every song! The music was wonderful and memorable, the jokes were funny, the plot was clever, all the actors were perfect(especially in multiple roles) and the choreography was marvelous.

It was an origins story of course. Writers Justin Moran and Jon Roufaeal focused more on the human aspect of Peter's life for most of the play. It started off innocently with the kids singing about midterms coming up and Flash Thompson asking out Gwen Stacey, the girl Peter has a crush on. Peter gets a job at the daily bugle where he meets Betty Brant, who's strangely infatuated with him, and J. Jonah Jameson, who's obnoxious to everyone. They send him on an assignment to take pictures of Dr. Spiderman's(read spiddermin and played by show visionary Justin Moran) lab. It's there that Peter meets the spider radiated from an old microwave that transforms him into the red and blue hero. They only get into the real spidey costume later in the show(they even went so far as to have him start out in a ninja turtle-esque eyehole mask and whine," Gah! Can you even sew spandex?!").

And it all worked! The plot is interesting and the pacing moves steadily. You really get a sense of Peter changing from a geeky nobody to a hero comfortable in his own wall-clinging shoes.

I have to admit, I'm a bit biased: I love minimalist theatre. My favorite show so far is The 39 steps that recently ended it's run off broadway. So seeing this was just chocolate sauce on already delicious blue and red ice-cream. I'm also biased because the main bad guy is revealed to be the Chameleon and damn if I don't love me some Chameleon!

Spider-Man picked up cars, swung from buildings, and beat up bad guys! Their minimal effects were brilliant. When Spidey made web hand gestures, moving between ladies who held up cardboard cutouts of buildings, the audience was in an uproar of cheering. The fight scenes were daring and well choreographed; one is reminded of 60's batman with sound effects instead of big visual words. And there's one big reveal by the Chameleon using multiple actors to simulate a flashback that's just too clever for words.

The actors were dressed in normal clothes save for a tie here or a mustache there. When they introduced villains(and they had no less than four heavy-hitters), most had just a T-shirt with an animal or a paper mache mask. Spider-Man himself, even when he was in "full" costume, only wore the top half of the Spidey suit with blue jeans and converse.

And it all worked. Why? Because they know how to act! They don't need costumes because they can get their characters along with dialogue and gestures. Flash is a smug jerk. Peter is a quirky but shy. Betty Brant is...well kind of aggressive towards Peter. And Jonah is a loud indignant sexist. "I hired one woman because that's how many I had to hire! You think I'm sexist? Damn right I am! In my day, a woman undressed you with her eyes, then you undressed her, and then you took her! Because that was expected!"

The music was fun and memorable, composed by Doug Katsaros and Adam Podd. It was jazzy enough to remind me of the Danny Elfman score, elegant and masterful enough to belong in a musical, and used just the right amount of synth for the old fashioned Spidey silliness. There's "Who is the Man?" introducing People's fascination with a masked man leaping from rooftops, and "I am a hero" in which Uncle Ben tells Peter how he's a hero with bills and checkbooks, and also the whole great power and great responsibility bit. The "Breaking News" segments, in which a news anchor(standing in front of a cardboard screen) are hilarious. He smiles as he introduce himself, then grimaces to tell the heart-gripping story. And of course there's "With Great Power Comes Great Responsibility" which is the show's key performance when Peter finally learns what he has to do with his powers.

My absolute favorite would have to be "When I look at you/villain song". Gwen tries to tell Peter that she loves him while Peter keeps having his spider sense go off! Electro, Scorpion and Rhino each try to rob a bank(the same bank presumably?) and just as they're about to monologue into their sad tale of woe, Spidey kicks them in the face! Oh, if only that would happen in comics.

This all leads up to a fantastic power hymn about wanting a hero like Spider-Man inside all of us, ingeniously entitled "I want Spider-Man inside of me." By the end of the show, in a standing ovation, the crowd was singing with the actors(also, #iwantspidermaninsideofme is now trending on twitter).

I do have to say they were able to get away with a number of things we'd crucify a major movie for trying to pull. Peter Parker getting bitten by spider radiated by an old microwave? A main character named Dr. Spiderman? Flash getting his own song about chipotle? Blasphemy in the hands of the studio, but campy silly genius in the hands of nerds. Why is this? Do we feel they have no right to mess with our myths? Is it passable when it's fan fiction but not when it's introduced as cannon? Would we be so lenient if Marvel had given them money and this was a major show?

I tell myself we all need to take our comics less seriously and that we need to open our minds up to knew ideas and stories. I feel that most nerds expect completely new and different stories told in exactly the same way with exactly the same characters. How do we expect to move forward if we keep going in a continuous loop? We're going to miss a lot of fun experiences if we're too picky. But then I'm reminded of a super villain fashion show with the titled character named "Swiss Miss".

Anyways, that's a discussion for a different day. This was not a contest to see who was correct in their interpretation of Spiderman or who was nerider than thou, it was an event to see if a good show could be put on without gobs of money, ridiculous costumes and choreography, in an actual(if not ridiculously short) amount of time, and Justin Moran and his colleagues did that in spades. The music was fantastic, the acting was incredible, the script was well written, clever and funny, and it was a nerd cultural experience the likes of which may not be seen for quite awhile. I would gladly pay actual money to see it again.

I understand this was a one shot deal, only to prove it could be done, but here are things I would like to see happen:

-footage of the show put on youtube so all can see its amazement

-music from the show become downloadable so I can listen to it over and over again

-a performance put on at comicon(it was only an hour, and would not that be the perfect venue?!)

If you would also like to see these things, please show your love to Justin and the rest of his group over at the SpideyProject blog, the facebook page, and the twitter account.

UPDATE: You can see videotaped version of the show here and download the music FOR FREE here